Runyard Barking Kipling, the world's smallest GOOD looking sheltie
The Power of the Dog
Rudyard Kipling
There is sorrow enough in the natural way
From men and women to fill our day;
And when we are certain of sorrow in store,
Why do we always arrange for more?
Brothers and Sisters, I bid you beware
Of giving your heart to a dog to tear.
Buy a pup and your money will buy
Love unflinching that cannot lie--
Perfect passion and worship fed
By a kick in the ribs or a pat on the head.
Nevertheless it is hardly fair
To risk your heart for a dog to tear.
When the fourteen years which Nature permits
Are closing in asthma, or tumour, or fits,
And the vet's unspoken prescription runs
To lethal chambers or loaded guns,
Then you will find--it's your own affair--
But...you've given your heart for a dog to tear.
When the body that lived at your single will,
With its whimper of welcome, is stilled (how still!);
When the spirit that answered your every mood
Is gone--wherever it goes--for good,
You will discover how much you care,
And will give your heart for the dog to tear.
We've sorrow enough in the natural way,
When it comes to burying Christian clay.
Our loves are not given, but only lent,
At compound interest of cent per cent.
Though it is not always the case, I believe,
That the longer we've kept 'em, the more do we grieve:
For, when debts are payable, right or wrong,
A short-time loan is as bad as a long--
So why in Heaven (before we are there)
Should we give our hearts to a dog to tear?
It's near impossible to pick out every Kipling poem I love, but I know the joy I take in them has been forever enhanced by the late Peter Bellamy, who made it his life's work to reunite Kipling's verse with the tune it was set to, and failing that, to compose his own. This he did with great dexterity, and a braying nasal voice that was an acquired taste for those not anglophile to the hilt. Of all of the Bellamy/Kipling, I think I most love "The Road to Mandalay" as performed on the Mandalay album by the Friends of Fiddlers's Green. Next would be "Smuggler's Song" as performed by either Roberts & Barrand or Anne & Cindy. John and Tony have a wonderful album Naulakha Redux, all of Kipling songs, first sung to the background of Kipling's Vermont home, Naulakha, near to where Tony lives. Not least, but definitely hardest to sing, is the setting of "The Sea Wife" that has come down in aural tradition in Gordon Bok's family. Bok/Muir/Trickett recorded it and I can't unravel the harmony to get the solid melody, much as I love the song. Percy Grainger did settings of Kipling - "The Sea Wife" and "We Have fed our Seas" among others.
Kipling seems to need some historical context for the young. Those to whom Political Correctness is the only god to worship, decry what they see as racism. Yep, he was an English Colonial, with all the possibility for condescension that it implies. I don't think that his main function was a British Colonialist apologist, however. As a traditionalist, I value the things about his work that put it solidly in a geographic and temporal context.
Mandalay
Rudyard Kipling
By the old Moulmein Pagoda, lookin' eastward to the sea,
There's a Burma girl a-settin', and I know she thinks o' me;
For the wind is in the palm-trees, and the temple-bells they say:
"Come you back, you British soldier; come you back to Mandalay!"
Come you back to Mandalay,
Where the old Flotilla lay:
Can't you 'ear their paddles chunkin' from Rangoon to Mandalay?
On the road to Mandalay,
Where the flyin'-fishes play,
An' the dawn comes up like thunder outer China 'crost the Bay!
'Er petticoat was yaller an' 'er little cap was green,
An' 'er name was Supi-yaw-lat -- jes' the same as Theebaw's Queen,
An' I seed her first a-smokin' of a whackin' white cheroot,
An' a-wastin' Christian kisses on an 'eathen idol's foot:
Bloomin' idol made o'mud --
Wot they called the Great Gawd Budd --
Plucky lot she cared for idols when I kissed 'er where she stud!
On the road to Mandalay . . .
When the mist was on the rice-fields an' the sun was droppin' slow,
She'd git 'er little banjo an' she'd sing "Kulla-lo-lo!"
With 'er arm upon my shoulder an' 'er cheek agin' my cheek
We useter watch the steamers an' the hathis pilin' teak.
Elephints a-pilin' teak
In the sludgy, squdgy creek,
Where the silence 'ung that 'eavy you was 'arf afraid to speak!
On the road to Mandalay . . .
But that's all shove be'ind me -- long ago an' fur away,
An' there ain't no 'busses runnin' from the Bank to Mandalay;
An' I'm learnin' 'ere in London what the ten-year soldier tells:
"If you've 'eard the East a-callin', you won't never 'eed naught else."
No! you won't 'eed nothin' else
But them spicy garlic smells,
An' the sunshine an' the palm-trees an' the tinkly temple-bells;
On the road to Mandalay . . .
I am sick o' wastin' leather on these gritty pavin'-stones,
An' the blasted Henglish drizzle wakes the fever in my bones;
Tho' I walks with fifty 'ousemaids outer Chelsea to the Strand,
An' they talks a lot o' lovin', but wot do they understand?
Beefy face an' grubby 'and --
Law! wot do they understand?
I've a neater, sweeter maiden in a cleaner, greener land!
On the road to Mandalay . . .
Ship me somewheres east of Suez, where the best is like the worst,
Where there aren't no Ten Commandments an' a man can raise a thirst;
For the temple-bells are callin', an' it's there that I would be --
By the old Moulmein Pagoda, looking lazy at the sea;
On the road to Mandalay,
Where the old Flotilla lay,
With our sick beneath the awnings when we went to Mandalay!
On the road to Mandalay,
Where the flyin'-fishes play,
An' the dawn comes up like thunder outer China 'crost the Bay!
From the knowledge and praise of the exotic, to the praise of the everyman, Kipling covers the waterfront, the landscape, and all the places of the heart and soul (A recording of this as a song on John & Tony's album Twiddlum Twaddlum):
The Pilgrim's Way
I do not look for holy saints to guide me on my way,
Or male and female devilkins to lead my feet astray.
If these are added, I rejoice -- if not, I shall not mind,
So long as I have leave and choice to meet my fellow-kind.
For as we come and as we go (and deadly-soon go we!)
The people, Lord, Thy people, are good enough for me!
Thus I will honour pious men whose virtue shines so bright
(Though none are more amazed than I when I by chance do right),
And I will pity foolish men for woe their sins have bred
(Though ninety-nine per cent. of mine I brought on my own head).
And, Amorite or Eremite, or General Averagee,
The people, Lord, Thy people, are good enough for me!
And when they bore me overmuch, I will not shake mine ears,
Recalling many thousand such whom I have bored to tears.
And when they labour to impress, I will not doubt nor scoff;
Since I myself have done no less and -- sometimes pulled it off.
Yea, as we are and we are not, and we pretend to be,
The people, Lord, Thy people, are good enough for me!
And when they work me random wrong, as oftentimes hath been,
I will not cherish hate too long (my hands are none too clean).
And when they do me random good I will not feign surprise.
No more than those whom I have cheered with wayside charities.
But, as we give and as we take -- whate'er our takings be --
The people, Lord, Thy people, are good enough for me!
But when I meet with frantic folk who sinfully declare
There is no pardon for their sin, the same I will not spare
Till I have proved that Heaven and Hell which in our hearts we have
Show nothing irredeemable on either side of the grave.
For as we live and as we die -- if utter Death there be --
The people, Lord, Thy people, are good enough for me!
Deliver me from every pride -- the Middle, High, and Low --
That bars me from a brother's side, whatever pride he show.
And purge me from all heresies of thought and speech and pen
That bid me judge him otherwise than I am judged. Amen!
That I may sing of Crowd or King or road-borne company,
That I may labour in my day, vocation and degree,
To prove the same in deed and name, and hold unshakenly
(Where'er I go, whate'er I know, whoe'er my neighbor be)
This single faith in Life and Death and to Eternity:
"The people, Lord, Thy people, are good enough for me!"
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